![]() ![]() But as everyone from Jimi Hendrix to Jimmy Page, J Mascis, Jack White, Billy Corgan, and Dan Auerbach has proved, there’s truly a massive variety of tones available within these relatively simple bundles of transistors. ![]() And yeah, it’s still great for acid-rock freakiness. A good fuzz box can add character to just about any conceivable style, taking you from subtle grainy textures to woolly thickness, sputtering fizz, or myriad flavors of utter mayhem, all with superb touch sensitivity. The truth is, this ridiculously expressive effect can do much more than just freak-out leads: Fuzz has been used by great artists in virtually every genre-and from Newark to Nigeria-to produce groundbreaking music. No need for a box full of questionable batteries anymore, just set the knob to your preferred supply voltage and get as much fuzzy compression or meaty breakup you desire consistently, every time.It’s one of the earliest effects pedals and one of the most enduring, but for many players the fuzz box is still ghettoized as either the domain of “old-school” genres like psych, garage, or Hendrix-esque classic rock, or the torture device of noisemakers and experimentalists. We have equipped this fuzz with a variable voltage pump, supplying anywhere from 5 to 15VDC from a single 9V power source. Eric Johnson famously kept a box full of batteries drained to various degrees. Fuzz Face tone has been whittled down to such a precise science that players now know what voltage at which they prefer their Fuzz Face to be run. ![]() What really sets the new If 6 Was 9 MKII apart is the power supply. The MKII includes all the soulful fuzz tones of the original BC183, but incorporates a variety of new features aimed at bringing this vintage inspired design into the modern age. The tone of the If 6 Was 9 MKII is just that - smooth and refined, without falling apart on chords and with loads of sustain on single-note work. We put two BC183 transistors in each one, which is widely regarded as a happy medium between the potentially mushy compression of germanium and the brash sawmill-like fuzz of silicon. SGFX’s pedal pays tribute to all the players who contributed to the pantheon of rock, with specially selected components to get your mojo working. It’s been at least 10 years since we launched our original If 6 Was 9 BC183 and improving on this solid design was no small feat. Jimi Hendrix, Eric Johnson, Stevie Ray Vaughan and Pete Townsend all carved their undying legacy with this iconic fuzz machine and with our If 6 Was 9 MKII, you can instantly tap into those legendary tones or go far beyond to discover your own saturated signature sound. Bold and raunchy when fed power chords, velvety smooth and angelically soaring when presented with lead lines and with an almost too-good-to-be-true volume knob cleanup, which allows for the best clean tones you’ve ever heard, the Fuzz Face is truly a multi-faceted tonal treasure. If there’s one pedal that captures the history of sonic rebellion and the soul of classic rock, then the Fuzz Face is it. ![]()
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